ARTISAN A PACKAGE 355.00

CREMONA       SV-200 DELUXE PACKAGE   $250.00    

AMATI SINFONIA PACKAGE  200.00

CREMONA       SV-175 DELUXE PACKAGE     $200.00    
A80 PACKAGE 300.00

 

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 AMATI ARTISAN D PACKAGE 190.00

 
 

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   CECILIO  200 PACKAGE 165.00

CECILIO PINK PACKAGE  165.00

 

 

 

 

CECILIO 500 PACKAGE  240.00

 

 

 

   CECILIO 300 PACKAGE 175.00 

 CECILIO BLACK METALFLAKE PACKAGE 165.00

 

ACADEMY PACKAGE 275.00

 

 

 

 

CECILIO 600 PACKAGE 575.00

 

 

LARK RED PACKAGE  145.00

LARK PINK PACKAGE  145.00

 

 

 

 

 CONSERVATORY PACKAGE 200.00

 

 

 

 

 

 

 AMATI FLAMED BACK PACKAGE 325.00

 

 

AMATI MASTRO PACKAGE 200.00

ADAGIO ONE PIECE BACK PACKAGE 200.00

GLIGA BUTTERFLY $450.00

 

 

 

 

 

LARK WHITE PACKAGE  145.00

 MORGAN MONROE 400 PACKAGE $675.00 

 

 

 

 

 

 

 

 

 

 

LARK BLACK PACKAGE  145.00

MURANO PACKAGE 150.00

CREMONA SV-75 PACKAGE 150.00

   AMATI ARTISAN C PACKAGE 215.00

 

 

 

 

 

GLIGA BUTTERFLY $450.00

 

GLIGA BUTTERFLY $450.00

 

 

 

CREMONA      SV-150  PACKAGE  180.00 

CREMONA       SV-225 ANTIQUE PACKAGE 300.00   

 

 

ADAGIO FLAMED PACKAGE $170.00 

 

GLIGA BUTTERFLY $450.00

 

CECILIO 400 PACKAGE 220.00

 

 

NY PRO2 ELECTRIC PACKAGE 310.00

SPECIAL    ELECTRIC PACKAGE 275.00

 

LARK 460 PACKAGE 150.00

 

 

 

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   The fiddle is a violin played as a folk instrument. It is also a colloquial term for the instrument used by players in all genres, including classical music. Fiddle playing, or fiddling, is a style of music.

A violin is sometimes informally called a fiddle, regardless of the kind of music being played with it. The words "violin" and "fiddle" come from the same Latin root, but "violin" came through the romance languages and "fiddle" through the Germanic languages.
Historically, the word fiddle also referred to a predecessor of today's violin. Like the violin, it tended to have 4 strings, but came in a variety of shapes and sizes.

One very slight difference between "fiddles" and ordinary violins may be seen in American bluegrass and old time fiddling: in these styles, the top of the bridge may be cut so that it is very slightly less curved. This reduces the range of right-arm motion required for the rapid string-crossings found in some styles, and is said to make it easier to play double stops and shuffles , or to make triple stops possible, allowing one to play chords.
Most classical violinists prefer a more rounded curve to the top of the bridge that allows them to articulate each note more easily and clearly. In practice, most instruments are fitted with a rounded bridge to better accommodate the shape of the fingerboard. The difference between "round" and "flat" is not great; about a quarter or half a millimeter variation in the height of one or two strings. A fiddle strung with steel will work best with a bridge as much as a millimeter lower overall. For gut, nylon or other synthetic-core strings, the action may be set suitably higher. As a violin's bridge is relatively easy to replace, modifying the bridge does not permanently make a violin into a fiddle.
In construction, fiddles and violins are exactly the same. As might be expected from the differences between classical and folk music, violinists tend to be formally trained and fiddlers tend to be informally trained, although crossing over is not uncommon. From Wikipedia, the free encyclopedia